Institutions Under Pressure: Museums, Biennials, and Change
Museums increasingly contextualize works with histories of extraction, gender bias, or censorship. A label can admit harm, trace provenance, and credit community knowledge, turning the quiet text beside a painting into an ethical commitment.
Institutions Under Pressure: Museums, Biennials, and Change
Calls to return looted artifacts moved from petitions to policies. Restitution becomes more than logistics; it is narrative healing, enabling artists and audiences to rebuild relationships with objects long separated from their cultural ecosystems.
Institutions Under Pressure: Museums, Biennials, and Change
Curators partner with organizers as collaborators, inviting workshops, teach-ins, and listening sessions. This flips the script: exhibitions unfold as participatory timelines where visitors learn, contribute, and carry insights back into the streets.